T-Max P3200, also known as TMZ (on the rebate, or edge of the film), is a film I only very occasionally love. Pushing Tri-X is usually a better solution for me when I’m shooting in low light. But every once in a while I look at the pile of TMZ I still have, shrug my shoulders, and let ‘er rip.
The more combinations of film, developer, lens, and camera that I try, the more I realize it’s just about the picture. Would I love the photo at the top of this post had I taken it with Superia 800? Maybe not quite as much, but yeah, I would still love it.