Tri-X @ EI 400 Stand Development in Rodinal

Tri-X @ 400, Rodinal 1 hour stand development, Minolta XD11 and 58mm MC Rokkor 1:1.2

Tri-X @ 400, Rodinal 1 hour stand development, Minolta XD11 and 58mm MC Rokkor 1:1.2

We’ve been down this road before. I mess around with Tri-X so much that if I don’t explicitly circle the “400” on the cartridge with my Sharpie, I’m just not sure how I shot it. I can either assume 400 and do something like 13 minutes in Rodinal 1+50, or I can throw it in Diafine and hope for the best, or I can do something fun like stand development. In this case, a roll was rattling around in the bottom of my bag with no markings, so into the batch of other misfit rolls being stand-developed it went. Read more…

And that’s how I’m shooting concerts from now on

Bill Orcutt, October 5, 2013, Issue Project Room. Leica M4, Canon 50mm 1.4 LTM, Tri-X.

Another happy accident: shooting at 3200 (?) and developing for 400. Read more…

Developing with Diafine

Chihiro (red filter). Tri-X at 1250 in Diafine.

IMG_5418

IMG_5420

Recently I mixed up a fresh gallon each of Diafine solutions A and B. What better time to write about this wonderful tool?  Read more…

A good day

 

IMG_5416

A photograph of film, taken with my phone. I still haven’t figured out how to fit the film into my iPhone.

Yesterday we had a photo shoot at my wife’s yoga studio. 15 rolls of mixed 35mm and 120: Tri-X (Arista Premium 400) in 35mm, Tri-X 400TX in 120, and Tri-X 320TXP in 120. I shot with the Hasselblad 500C/M with 80mm Planar and 40mm Distagon; the Leica M4 with 35mm Summicron and 50mm Canon 1:1.4; and the Minolta XD11 with MD Rokkor 24mm 1:2.8 and MC Rokkor 58mm 1:1.2.

You will see the fruit of my labors soon, I hope! I knocked out 5 rolls with a fresh batch of Diafine last night.

David Shot Spectra

Sunset in Duck, North Carolina.

Sunset in Duck, North Carolina.

Okay, I promised myself I wasn’t going to cry. Read more…

Pari Dukovic shoots film

 

Dukovic_01

Dukovic_02

Dukovic_04

Dukovic_05

Dukovic_06

Dukovic_08

Dukovic_09 (1)

Dukovic_10

image.261

 

There is no better feeling than finding a new photographer to love. I’m talking about having a physical reaction to an image. Like the first time I heard “Upside-down” by Jesus and Mary Chain or ate Di Fara’s pizza or the realization when I’m way out of town that I can look up and the Milky Way will be there and yup, there it is. It’s the universe saying “I got your back. Good stuff is still going on.” That’s the way I feel about Pari Dukovic.

I don’t recall where I first saw his work. It’s almost as if he just started creeping in to my consciousness, and every time I saw his work, both black and white and color, I would be like “who the hell is THIS?” He’s staff photographer for The New Yorker now, and he’s killing it. I know he used to work for Platon, who was a photographer for The New Yorker previously, but if you want any other biographical info, look it up yourself. All I know is his work is unmistakably his and his eye for the moment makes me weak in the knees as much as it makes me jealous. I also wish I had stockpiled a lot more Fuji Superia 1600.

All photographs copyright their respective owners. They are displayed here under the Fair Use doctrine of United States copyright law for the purpose of commentary and criticism.

The Story Behind the Shot

Screen Shot 2013-09-25 at 3.49.21 PM

http://open.abc.net.au/openregions/vic-south-west-19bu8YD/contributions/fully-manual-slr-camera-that-captured-the-rolling-stones-in-australia-67td0ry

Here’s a quick video about an iconic rock-and-roll photograph, taken with one of my all-time favorite cameras, the Minolta SR-T101. My dad gave me my first SR-T101 when I was a teenager (also to each of my younger sisters when they were “old enough”) and it started a life-long love of Minolta. Such wonderful lenses!

Thanks @danhavlik for the link (from his always useful Twitter feed).

Read more about my love for the the Minolta XD11 and Minolta glass in general,  and about the lovely Rokkor 58mm 1:1.2.

The Fog

fog:

noun

1 a thick cloud of water droplets suspended in the atmosphere at or near the earth’s surface that obscures or restricts visibility

2 something that obscures and confuses a situation or someone’s thought processes

3 a 1980 horror film by John Carpenter, partially shot in Point Reyes, California.

(dictionary credit to the New Oxford American Dictionary embedded in my Mac)

The fog is everywhere and nowhere in the San Francisco Bay Area. I’m not going to study it and lay out the timetables and scientific basis for it—why it’s some places and not others. I only get to spend a significant amount of time in it about once a year, so I’d like for it to keep me on my toes.

It doesn’t come in on little cat feet for me, as it did for Sandburg. No, it appears out of nowhere and makes an inexorable and glacial excursion across the land, like an immense down duvet sliding down the hills and then stopping, inviting speculation and obscuring everything beyond.

Cypress tunnel approach to the RCA/Marconi Radio Station at “G” Ranch, Point Reyes, California. Plus-X at EI100, Rodinal 1+50 13 minutes, Leica M4 and 35mm Summicron.

I wanted to take the above photograph last year. Read more…

Instant Retro

fujifilm-instax-mini-90-neo-classic-01

http://www.thephoblographer.com/2013/08/22/fujifilms-new-mini-90-neoclassic-is-their-new-high-end-instax-camera/

I’m not a big fan of the “retro” look for digital cameras, whether they’re the mini Leica’s or the new Fujifilm X series, but I’m a total sucker for ANY instant camera, and so the new Fujifilm Instax camera, coming to America in 2014 supposedly, is quite attractive to me regardless of its faux Leica stylings (actually quite sexy)–especially with the added technical features. Thanks to SaoPauloCameraStyle for the tip!

Photo of the Day: Ned

Edmund Wyss in his studio, September 2010.

Taken with a Leica MP and 35mm Summicron IV. I think this was Porta 400. I’ve not been posting for a bit because I’m out of town for work and vacation in the Bay area. This was taken on the same vacation (my wife studies with her yoga mentor out here every year for a week) three years ago. Edmund (or as we know him, Ned) used to live in Brooklyn up the street from us. He is a remarkably talented photographer and painter. His work explores the beauty of photographic equipment. You can search the name Edmund Wyss or click a few of these links:

http://blog.lareviewofbooks.org/post/24379387549/photo-realism-artist-edmund-wyss-on-his-passion-for

http://www.hatchgallery.org/edmundwyss.html

http://www.popfoto.net/2010/11/01/qa-with-sf-painter-edmund-wyss/